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November 8, 2026
Nov 8, 2026
Word
verbiage
noun
Definition
  1. a profusion of words usually of little or obscure content
  2. manner of expressing oneself in words : diction
Example
The newspaper editor said that he would have to reduce the verbiage of Earl's letter before he could publish it.
Origin
"Verbiage" descends from Middle French "verbier" ("to chatter"), itself an offspring of "werbler," an Old French word meaning "to trill." The usual sense of the word implies an overabundance of possibly unnecessary words. It is similar to "wordiness," except that it stresses the superfluous words themselves more than the quality that produces them. In other words, a writer with a fondness for "verbiage" might be accused of "wordiness." Some people think the phrase "excess verbiage" is redundant, but that's not necessarily true. In the early 19th century, "verbiage" developed a second sense meaning, simply, "wording," with no suggestion of excess. This second definition has sometimes been treated as an error by people who insist that "verbiage" must always imply excessiveness, but that sense is well-established and can be considered standard.
Webster's Dictionary
Fun facts
  1. The glue on Israeli postage stamps is certified kosher.
  2. Leonardo da Vinci could draw with one hand while writing with the other.
Snapple's under-the-cap 'Real Facts'
Artist
Anthony van Dyck
Mar 22, 1599 - Dec 9, 1641

Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.

The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to be the main court painter, at the request of Charles I of England.

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Wikipedia, Google Arts & Culture
Historical figure
Robert Schuman
Jun 29, 1886 - Sep 4, 1963

Jean-Baptiste Nicolas Robert Schuman was a Luxembourg-born French statesman. Schuman was a Christian Democrat political thinker and activist. Twice Prime Minister of France, a reformist Minister of Finance and a Foreign Minister, he was instrumental in building postwar European and trans-Atlantic institutions and was one of the founders of the European Union, the Council of Europe and NATO. The 1964–1965 academic year at the College of Europe was named in his honour.

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Wikipedia, Google Arts & Culture
Historic event
Mediterranean and Middle East theatre of World War II
Jun 10, 1940

The Mediterranean and Middle East Theatre was a major theatre of operations during the Second World War. The vast size of the Mediterranean and Middle East theatre saw interconnected naval, land, and air campaigns fought for control of the Mediterranean, North Africa, the Horn of Africa, the Middle East and Southern Europe. The fighting in this theatre lasted from 10 June 1940, when Italy entered the war on the side of Germany, until 2 May 1945 when all Axis forces in Italy surrendered. However, fighting would continue in Greece – where British troops had been dispatched to aid the Greek government – during the early stages of the Greek Civil War.

The British referred to this theatre as the Mediterranean and Middle East Theatre, the Americans called it the Mediterranean Theater of War and the German informal official history of the fighting is The Mediterranean, South-East Europe, and North Africa 1939–1941. Regardless of the size of the theatre, the various campaigns were not seen as neatly separated areas of operations but part of a vast theatre of war.

Fascist Italy aimed to carve out a new Roman Empire, while British forces aimed initially to retain the status quo.

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Wikipedia, Google Arts & Culture